Born 1983 in Gabes, Tunisia
Lives and works in Tunis, Tunisia.
The work of Malek Gnaoui engages issues around social conditions and the notion of human sacrifice. Working across video, ceramics, printmaking, installation, sound and performance, his approach towards materiality enabled him to develop an alternative practice that combines everyday materials with traditional techniques. His approach showcases a vibrant acuity that not only questions materiality as a starting point but also engages with broader societal and political contexts.
His artistic practice is distinguished by its reflection on bodies, elements, particles and masses. The physical involvement of production allows a performative aspect to emerge. Gnaoui’s use of a diverse range of mediums leads him to delve into the concept of the “spiritual”, critically examining popular imagery and traditional practices. His exploration spans from ancient civilizations to contemporary times, weaving together collective memories.
He has recently exhibited ambitious projects and exhibitions at October Salon (Belgrade Biennale), Belgrade, Serbia / KANAL Centre Pompidou, Brussels, Belgium / Sharjah Biennale, Sharjah, United Arab Emirates / Dom Museum, Vienna, Austria / Dream City biennale, Tunis, Tunisia / Shubbak Festival, London, UK / Jaou, Tunis, Tunisia / Institute of Islamic Culture, Paris, France.
Gnaoui’s work forms part of many prestigious collections of art including the Fondation H, Antananarivo, Madagascar / Dom Museum, Vienna, Austria / Victoria & Albert Museum, London, UK / The British Museum, London, UK / The Museum of African Contemporary Art Al Maaden, Marrakech, Morocco / The Kamel Lazaar Foundation, Tunis, Tunisia.
He graduated from the L’Ecole d’Art et de Décoration in Tunis and trained at the ceramics center of Sidi Kacem Jlizi in Tunis, Tunisia.