"The exhibition borrows its title from a 1979 publication on early Algerian film, edited by Wassyla Tamzali, which references Samuel Beckett’s play Waiting for Godot and Merzak Allouache’s 1976 cult classic film Omar Gatlato. The exhibition title combines two important conceptual clues for how contemporary Algerian visual artists and filmmakers approach and engage art as the decolonization process evolves. Both source works are portraits of anti-heroes trying to make sense of their day-to-day lives."
Exhibition dates
26.10.2019 to 15.03. 2020
The Wallach Art Gallery
New York, US